:45:37
(Schoonmaker-Powell) Working on a
film like this creates lifelong bonds
:45:42
and Michael Powell remained
very close to some of the crew
:45:46
who worked on this film.
:45:48
All of the crew, really, who
kept reappearing in his life,
:45:51
working on his films
for many years to come.
:45:55
One of the difficulties
of shooting on the island
:45:58
was that medical emergencies
were rather scary.
:46:02
And John Seabourne,
:46:03
who was very important to Michael
during the shoot,
:46:06
had to be taken off the island.
:46:09
But it was a great loss to Michael.
:46:11
He described John Seabourne
at this time
:46:14
as a storyteller,
:46:17
right-hand, cutter,
:46:20
assistant, actor
:46:22
and dance director.
:46:24
I guess that might be referring to
the little dance sequence
:46:28
for the celebration
of the birth of the baby.
:46:31
John Seabourne was supposed
to edit the film,
:46:33
but because of his illness
was unable to
:46:36
and Derek Twist then took over.