:06:04
"Who came up from the bottom,
but never really left it."
:06:08
Don't feel sorry for Kirk Edwards.
Not unless you're a hungry psychiatrist.
:06:13
Kirk was producing
a motion picture, his first.
:06:17
He had as much in common with anything
creative as I have with nuclear physics.
:06:22
Well, we'd been scouting for what
is called, delicately, a new face.
:06:26
By most standards, flying all the way
to Madrid to look for a new face
:06:30
would seem like going to a lot of trouble.
:06:32
But I've known producers who'd travel
further for a good smoked whitefish.
:06:39
:06:45
Hey, um... Hey, Mac!
:06:49
- "Sí, señor."
- How come the band is takin' a break?
:06:53
- Uh, please. Don't...
- Signorina.
:06:55
Señorita. You're in Spain now, buster.
:06:58
Señorita whatsis... Maria Vargas.
She does not dance no more?
:07:02
No more, señor.
:07:03
You mean she dance
only one time, then "finito?"
:07:06
"Sí, no más." One time, then "finito."
:07:09
Well, maybe she could dance
one more time, just for tonight.
:07:12
She never dance more.
One time and no more.
:07:15
Well, why you not make her
dance more? You the boss, eh?
:07:18
Is Maria Vargas.
Nobody boss. Maria Vargas.
:07:21
Funny, I always thought a woman
was a two-time thing. Sing it, Oscar.
:07:25
Oscar, have her come to the table.
:07:28
I'm very sorry, señor, but Señorita Vargas
does not sit at the tables with the guests.
:07:33
Now, I'm sure you don't consider
Mr Kirk Edwards just an ordinary guest.
:07:37
Well, I have said,
it is not possible with Señorita Vargas.
:07:40
Well, maybe just this once,
for Mr Kirk Edwards,
:07:43
you can make an exception to your rule.
:07:46
But it's not my rule.
It's rule of Señorita Vargas.
:07:50
I'm sorry. Excuse me, ladies
and gentlemen. Excuse me.
:07:54
Oscar, go get her.
:07:58
We'll be right back.