:11:00
I'm not required to do
your... public relations.
:11:03
Look who's a candidate
for the Christopher Award.
:11:05
An ex-drunk who's fallen on his face
in front of half of central casting.
:11:09
Shut up, Oscar.
:11:11
Now, this is as good a time as any to get
our relationship straight, once and for all.
:11:16
You work for me. I pay you.
That means only one thing to me,
:11:20
whether you're a director or a janitor
in one of my plants: I'm your boss.
:11:24
I'm also perfectly willing and able to
cancel this entire production right now.
:11:29
Pay you off and write you off.
:11:31
The government will be paying
for most of it anyway.
:11:34
With Oscar's help, I can let it be known
your script wasn't worth shooting
:11:38
and that you were
in no condition to shoot it.
:11:41
Maybe you went
off the wagon. Who knows?
:11:44
The majors aren't wanting you anyway.
:11:46
And if I can't afford you
as an independent, who can?
:11:49
All that, just to meet a new face.
:11:53
All that, because
I want you to do what I say,
:11:57
even if it's picking up
my hat when I tell you to.
:12:01
Give me some money, Oscar,
to get back to Rome.
:12:04
I'll ad-lib the rest of the way.
:12:14
Why don't you come too, Harry?
:12:20
You might as well put whisky in that.
And don't worry about your soul.
:12:25
You must have lost it
at some preview, a long time ago.
:12:44
Um...
:12:46
Señorita Vargas?
:12:49
Gracias.