:59:00
Maybe Jimmy...
would consider...
:59:04
You said he's good.
You think he's good.
:59:07
He's not only good, baby.
he's a bitch.
:59:09
He blows a barrel
full of tenor.
:59:11
Oh, but he's some kind
of pain in the ass.
:59:13
- I don't want to start this argument.
- All right, okay, all right.
:59:17
But he's a top pain in the ass.
and that's the truth.
:59:20
A top pain in the ass.
:59:22
You want to say it once more...
three times for luck?
:59:25
Three would groove me.
It's my favorite number.
:59:27
Top pain in the ass.
:59:32
Well, maybe you're right.
but he's good.
:59:40
I'm sorry. Mr.. Doyle.
:59:42
It's not quite what I had in mind.
:59:45
Yeah, sorry, fellas.
:59:53
He wants garbage.
I don't know.
:59:55
Look. Mr.. Horace.
I know it's not Frankie Harte.
:59:58
We can do that stuff too, man.
but this is a different sound.
1:00:00
I think you should listen to it.
Just give us another chance.
1:00:02
This guy must be crazy.
1:00:04
I made a deal with
Frankie Harte and his orchestra.
1:00:06
not Jimmy Doyle
and his flying zacamaniacs.
1:00:10
But this is Frankie Harte
and his orchestra, without Frankie Harte.
1:00:12
h fact, it's even better.
1:00:14
Frankie wouldn't give us the band
if he didn't think it was gonna work out.
1:00:16
That's true.
You know how Frankie is.
1:00:18
What do you have to lose?
Come on, give me a chance.
1:00:19
What do I have to lose?
1:00:21
What does this look like to you.
a peanut gallery here?
1:00:23
Looks like a place that
needs someone like me.
1:00:25
that's what it looks like.
1:00:28
Give us half a chance.
1:00:30
Where's the girl singer
you're supposed to have?
1:00:32
Is she stunning?
Blonde? What?
1:00:34
She's stunning, blonde, everything.
She walks, she talks, dances.
1:00:36
She'd better be good.
1:00:38
All right, fellas.
get on number 358.
1:00:40
Horace, have you gone crazy?
You've already listened to the band.
1:00:43
You didn't like 'em.
Why do you want to listen to a singer?
1:00:45
Of course I'm crazy. How do you think
I wound up in this business?
1:00:49
Hello. Mr.. Morris.
1:00:52
Okay.