1:08:00
1 0 o'clock.
1:08:05
You know, you have a very special,
very beautiful face.
1:08:09
The way light hits it.
1:08:12
l'd like to shoot you.
1:08:15
You don't mind?
1:08:17
l'm camera-shy.
1:08:19
You trust me to take your money,
but not your picture?
1:08:22
Those are two different
kinds of trust.
1:08:25
l hope we can do business.
1:08:35
Hoyt Avenue, Brooklyn, 3 o'clock.
1:08:41
l'll be there.
1:08:45
l got something to tend to. Thanks.
1:08:48
So are we in the movie business?
1:08:52
That's for you.
1:08:53
-What is it?
-Money.
1:08:54
People use it to purchase goods.
1:08:56
That's awfully generous and everything--
1:08:59
lt's not mine.
Don't make a big deal.
1:09:01
There's a plane ticket for the flight
you can catch to L.A. tonight.
1:09:05
This is as far as l want you to go.
1:09:07
What are you talking about?
1:09:09
We're a team.
We're partners.
1:09:10
Max, l'm sure you realize
these people we're dealing with...
1:09:16
...are extremely disturbed.
1:09:18
That's why you need me.
l know disturbed. Look at me.
1:09:21
You did a great job.
lt's time for you to go home.
1:09:24
But this is, like, our big case.
1:09:26
Tom, l know what's going on, okay?
1:09:29
Okay, what?
1:09:31
Dino and Machine and Eddie
made a snuff film, right?
1:09:34
l can't figure out why you're involved.
Maybe the victim--?
1:09:37
First, who said you're right?
1:09:39
Second, who said
anything about a victim?
1:09:41
Only 3 rules in life, Tom Welles.
1:09:44
One, there's always a victim.
And two, don't be it.
1:09:47
And three?
1:09:48
l forgot three.
1:09:49
Good, l want you to forget everything.
1:09:52
l want you to get on a plane to L.A.
and forget it all.
1:09:56
l get calls for work on the West Coast.
l'd like to call you again.