:53:11
Daddy? I got the lead in Italian Symphony.
That's Gelsey Kirkland's old part.
:53:16
Maureen's the lead in Jonathan's ballet,
but that has way more people.
:53:20
Well deserved, sweetie.
Aren't you pleased?
:53:25
Miss Thing, you're doing a piece
with the two of us.
:53:28
- A totally new ballet.
- A world premiere.
:53:30
- Made on us.
- Who's choreographing?
:53:33
We can always find
some more rehearsal time later.
:53:37
Hi.
:53:38
This is for you.
:53:41
Thanks.
:53:42
I just want you to know how much
it means to me to be in your ballet.
:53:46
I won't let you down.
:53:48
Well, you were the best for the part.
Simple as that.
:53:53
It's some dessert. So...
:53:59
...you'll have some on- hand next time.
:54:05
Bye.
:54:11
What?
:54:12
I didn't say anything.
:54:14
Take these.
:54:15
Nonsense. You heard her.
They're for next time.
:54:25
Congratulations.
:54:27
Cooper's ballet.
:54:29
Yeah. Kind of amazing.
:54:32
It should be good.
:54:34
I guess.
:54:35
Jody says he has theories
about making ballet for the people.
:54:39
I do ballet because it has
nothing to do with the people.
:54:42
Give me tiaras and boys in tights any day.
:54:50
I hear you're in the corps
in Jonathan's ballet.
:54:53
Yes.
:54:55
Just goes to show, don't piss off the boss.
:54:58
No one will see me and I'll never get a job.