1:15:04
Smythe!
1:15:08
Smythe!
1:15:18
- Who are these people?
- Friends of mine.
1:15:21
Very lit...
1:15:25
- Literary people.
- He's drunk.
1:15:28
Smythe, you've been drinking.
1:15:31
- I have. Double-strength.
- Very drunk.
1:15:34
Where is Mr. Smith?
1:15:36
Well, for crying out loud,
I don't know.
1:15:40
And I don't care.
1:15:45
Whoopee!
1:15:48
Now, Gallagher,
if I could only get a great scene...
1:15:51
...a tremendously emotional scene.
1:15:53
Something to ring
the hearts out of the public...
1:15:55
...to bring the curtain down
in the second act.
1:15:57
Could you dig one out of your hat?
1:15:59
No. Afraid I'm all out
of tricks tonight.
1:16:01
We got them up to where the boy's
wearing his white spats...
1:16:04
...and going to pink teas,
and the frau enters. How's that?
1:16:07
- Very good.
- Now, if we could j ust get where we...
1:16:16
- Hello, Anne.
- Good morning.
1:16:20
- What does this mean?
- What does what mean?
1:16:23
Oh, that mob. I got so interested
in the play, I forgot all about them.
1:16:27
And we got a play, Anne.
Have we got a play!
1:16:30
Most of it's Gallagher's.
She did most of it.
1:16:32
Her brain j ust snaps
like that all the time.
1:16:34
I'm not interested
in the way her brain snaps.
1:16:36
- I think I better go, Stew.
- I think you should, Miss Gallagher.
1:16:40
Wait a minute, Gallagher.
What's the idea, Anne?
1:16:43
The idea is, I want these people
to leave immediately.
1:16:46
Wait. Aren't you being
a little unreasonable?
1:16:48
Unreasonable? Have you any idea
what the place looks like downstairs?
1:16:52
Do you expect me to let this house
turn into a cheap barroom?
1:16:55
Don't get excited.
There's no reason for that.
1:16:57
Perhaps the boys
have had too much to drink.
1:16:59
I'm sorry.
I'll go down and throw them out.