:23:02
I wonder
:23:03
in fact I doubt it
:23:05
there's only one thing we know about her:
she's full of deceit
:23:07
she's trying to hang it on both of us
:23:09
we shouldn't let her get away with it
:23:11
she's a trouble-maker
:23:11
- we ought to put our foot down
- you're right
:23:13
we oughtn't to let her break it up
:23:14
I've been listening to these half-witted
dramas of yours for 11 years
:23:17
and I've grown cock-eyed
looking at those humpty-dumpty pictures of yours
:23:20
should we give up all this
because of some girl we met on a train?
:23:22
- third class
- no woman's worth it
- absolutely not
:23:30
no more clean shirts?
:23:31
- we ignore her, fifty fifty
- fine
:23:37
- sacrifice helps an artist
- exactly
:23:39
sorrows of life are the joys of Art
:23:41
- I don't think we ought to discuss her anymore
- right
:23:45
if occasion arises
which requires our mentioning her at all
:23:49
we refer to her as Miss Farell
:23:52
- make the whole thing more impersonal
- exactly
:23:56
George, did you really sell my suitcase?
:24:02
- yeah
- ok
:24:06
M. Chambers, M. Curtis,
au téléphone
:24:15
answer it if you wish
:24:17
go ahead, I trust you
:24:18
thanks
:24:35
just a second.
:24:38
it's Miss Farell
:24:44
what do you want, Gilda?
:24:45
I beg your pardon
:24:49
I see ... just a second, please
:24:56
she wants to come up tomorrow
:24:58
- tell her absolutely no!
- ok