:19:13
This is a pretty classy spot.
:19:15
I had everything carried out
in French architecture.
:19:18
I always did like French art.
:19:20
And the house has plenty of atmosphere.
:19:22
Good or bad?
:19:23
There's no denying,
it's a perfect setting for a woman like you.
:19:27
Yes, I guess I could do things
in a place like this.
:19:30
Of course, it won't be all work.
:19:32
- You'll have moments of your own.
- I do have my moments.
:19:35
- You have?
- Yeah, but they're all weak ones.
:19:39
Lovely painting.
:19:41
What is this? One of your ancestors?
No, but it's very valuable.
:19:44
This one in particular is an old master.
:19:47
Looks more like an old mistress to me.
:19:51
I trust you'll find I've left nothing undone
to make you comfortable.
:19:54
I want you to enjoy every minute here.
:19:56
Of course, I'll be right here in the house
all the time.
:19:59
A man in the house
is worth two on the street.
:20:07
Gorgeous layout. Your idea, of course?
:20:09
I believe I may accept that compliment.
:20:12
By the way, where's Jasmine, my maid?
:20:14
Another carriage is bringing her,
and your luggage. I've thought of everything.
:20:18
I bet you have.
:20:20
Driving you here has been very pleasant.
:20:23
- Yeah?
- Yeah.
:20:26
I just can't wait till I see you again.
:20:30
You've got to wait.
:20:36
Ace, what about this woman?
:20:38
I won't have you bothering me
at a time like this. There's too much to do.
:20:43
- I think we're gonna like it here.
- Yes, ma'am.
:20:49
Come in.
:20:54
So you're Ruby Carter.
:20:56
The only thing my mother told me.
Everything else, I found out for myself.
:20:59
I'm Molly Brant. I guess you've never heard
of me, but I'm Ace La Mont's sweetheart.