:55:01
Huh?
:55:03
l don't know
what I'd do without you.
:55:05
You've made up
for all the fakes I've met.
:55:12
Well, that's very nice.
Thank you.
:55:15
You know what I've been doin'
since l got home?
:55:18
I've been workin' on a poem.
:55:21
It's about you.
:55:24
Sometimes it's kind of hard for me
to say things, so I write 'em.
:55:28
I'd like to read it sometime.
:55:30
Maybe I'll have it finished
next time I see you.
:55:32
Will I see you soon?
:55:35
Gosh, that's swell, Mary.
Good night.
:55:38
Good night.
:55:46
MabeI, that guy's either the dumbest,
most imbecilic idiot in the world...
:55:49
or the grandest thing alive.
:55:51
- l can't make him out.
- Uh-huh.
:55:53
- I'm crucifying him.
- People have been crucified before.
:55:56
Why do we have to do it?
:55:58
You started out to be
a successful newspaperwoman.
:56:00
- And then what?
- Search me. Ask the Gypsies.
:56:03
Here's a guy
that's wholesome and fresh.
:56:06
To us he looks like a freak.
:56:09
Do you know
what he told me tonight?
:56:11
When he gets married he wants to
carry his bride over the threshold.
:56:15
The guy's balmy.
:56:18
Is he?
Yeah, l thought so too.
:56:20
I tried to laugh,
but it stuck in my throat.
:56:23
Cut it out, will ya? You'll get me
thinking about Charlie again.
:56:29
He's got goodness, Mabel.
:56:32
Do you know what that is?
:56:34
Of course you don't. We've forgotten.
We're too busy being smart alecks.
:56:38
Too busy in a crazy
competition for nothing.
:56:47
l beg pardon, sir.
:56:51
- Madame Pomponi is on the telephone.
- Who?
:56:53
Madame Pomponi. She says that everything
is all set for the reception.
:56:56
- Don't come in here when I'm playing.
- But she's on the telephone, sir.
:56:59
Get out.
The evil finger's on you.