:13:02
to get off to a quick start,
:13:04
and cram as much action
into a short period as possible.
:13:10
(Dialogue) Some of us,
at certain times
:13:12
have been inclined
to limit the power of the gospel
:13:15
by supposing
that only certain sinners...
:13:20
...by supposing that only certain
sinners obtain the grace of God.
:13:31
Grand sermon, John.
:13:33
One hour and 15 minutes. Let them
beat that in Edinburgh if they can.
:13:37
And mind ye,
every sentence sound theology.
:14:01
We'll check the lists and load
the boats after the Sabbath's over.
:14:05
Aye. It's high tide
an hour after midnight.
:14:07
Aye, that's, er, very convenient.
:14:12
(Christie) Michael Powell found
:14:13
casting the three young principals
for the film quite difficult.
:14:18
It was crucially important that
they did have the sort of presence
:14:22
that he needed
for this very simple story.
:14:26
They had to breathe humanity
:14:28
and give it
a kind of emotional credibility.
:14:31
He chose, for the character
of Ruth Manson, Belle Chrystall,
:14:35
and for Robbie Manson,
her brother, Eric Berry.
:14:38
And for the figure of Andrew Gray,
Niall MacGinnis.
:14:44
In the book he published
after the film, he explained
:14:49
the kind of reasoning
that went into these choices
:14:52
and how, in a sense,
one choice influenced the others.
:14:56
(Day-Lewis) When I saw Belle,
:14:58
I could have kicked myself
for having wasted so much time.