:14:01
- Where's the leash?
- My goodness!
:14:03
- Where's George?
- Where's George?
:14:05
- Why this morbid interest?
- I've got to find him.
:14:07
What for?
:14:08
He knows where my intercostal clavicle is.
:14:10
Your what?
:14:12
Major Appletree,
you promised to watch George.
:14:14
- I did.
- But you didn't.
:14:16
Where is he?
:14:17
- He's gone.
- Gone where?
:14:18
- Out that door.
- Why didn't you say so?
:14:20
No, not that door. That door.
:14:22
- Thank you.
- That's right.
:14:25
I can't stand this another moment.
:14:28
Come along. Let's get some fresh air.
:14:30
- Yes. Shall we run?
- Yes.
:14:33
I can't understand why a loon
would answer a leopard's cry.
:14:38
There's something wrong.
:14:40
- They both sound exactly alike to me.
- No, pardon me, Elizabeth.
:14:44
Please, the leopard's cry is
entirely different.
:14:47
As I explained to you in there,
the leopard's cry goes like this.
:14:56
What a terrible noise.
I don't see how you do it.
:14:59
It's done largely with the palate.
:15:01
The hands play an important part
in the resonance and carrying power.
:15:05
- Why do you put your thumbs together?
- You see, the thumbs...
:15:09
it's very necessary that the base
of the thumbs are close together like that.
:15:13
That brings out a sort of pear-shaped tone,
you see?
:15:17
Having done this, you take a deep breath,
keep the throat well open...
:15:22
and out comes...
:15:32
My. That's fine, Elizabeth...
:15:35
for one who hasn't had any practice.
:15:37
Really, it is. You've got something there.
:15:39
- Got what?
- The mating cry.
:15:42
- Now, don't be rude, Horace.
- I'm not rude.
:15:45
I was merely alluding to the scream
you did just now.
:15:48
- I didn't scream.
- You didn't scream?
:15:50
- I certainly did not.
- You didn't scream?
:15:52
No. I ought to know if I screamed.
:15:54
Then there must be
something wrong here.
:15:56
I should say so.
I've never known anything like it.