:39:02
Most likely another three hours.
:39:05
- You want this, don't you?
- Oh, yes. Thanks.
:39:07
I think I'm gonna like this doll.
:39:09
I know I am.
:39:11
- Good night.
- Good night.
:39:23
Well, when did you two sneak in?
:39:25
What are you doing here?
:39:26
Rachmaninoff and I are going to audition
a dream, one of the better kind.
:39:33
Now, there's not a thing
to worry about, kid.
:39:36
You just wait right here.
:39:38
Hi, Panama. Hi, Henderson.
:39:41
Okay, buster, what are you selling,
and what's her name?
:39:43
I've got a gal here with class,
which is something this joint needs.
:39:47
Disregard the guy's insinuations.
:39:48
No kidding, lot of stuff on the ball.
Sounds just like Nora Bayes.
:39:51
All right, Ziegfeld,
let's see the prize package.
:39:54
Jean.
:39:59
This is Panama Smith.
:40:01
And the man here with
the worried look is Pete Henderson.
:40:04
Jean Sherman.
:40:05
- I hope Eddie hasn't built me up too much.
- So do I.
:40:09
All right, Jean. Come on, honey.
:40:11
Show them how a song should be sung.
:40:18
What are you gonna sing?
:40:20
What key do you want it in?
And how do you want it played?
:40:24
"Melancholy Baby" in the key of G.
:40:27
- And not too fast, please.
- Gotcha.
:40:29
You're among friends, now.
Don't tighten up.
:40:34
Sit down, Eddie.
Let's get a chump's-eye view of her.