Broadway Melody of 1940
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1:10:01
I want to talk to you.
Come into my room.

1:10:04
Or should I say our room?
1:10:11
- What's the matter, King?
- So you took Clare out to lunch?

1:10:14
- No crime in that, is there?
- No, no. We share everything.

1:10:22
Don't be silly, King.
I know how you feel about Clare.

1:10:25
You know I wouldn't double-cross you
any more than you'd double-cross me.

1:10:29
What did Clare say about me?
1:10:31
We didn't discuss you.
1:10:32
What did you talk about?
The weather?

1:10:36
Now wait a minute, I know you've
got a hangover, and you're nervous...

1:10:40
...about the show, and you've
got to let off steam on somebody...

1:10:43
...but please, don't say
anything we might both regret.

1:10:46
You're getting sensitive, aren't you?
1:10:48
No, I'm getting fed up with the way
you're acting, if that's what you mean.

1:10:53
Oh, pardon me, I'm only
the leading man in the show.

1:10:57
Take Clare out,
make her late for rehearsals...

1:10:59
...so long as you get yourself
in nice and solid.

1:11:02
Don't worry about making
a monkey out of me.

1:11:04
I'm only the guy
that's got his name up in lights.

1:11:06
Listen, King. When success goes
to a dancer's feet, he's all right...

1:11:11
...but when it goes to his head,
he's top-heavy.

1:11:14
Say, where do you get off
to talk to me like this?

1:11:17
I'm wise to you. You're too smart.
1:11:19
It was clever how you got
that story mixed up this morning...

1:11:22
...to put me in bad
with Matthews and Clare.

1:11:24
Then you take her
to lunch and do a little chiseling.

1:11:27
"It's too bad about King, isn't it?
1:11:29
Now, if I was in his shoes..."
1:11:32
I don't know why
I don't take a poke at you.

1:11:34
I know why you don't.
Because you haven't got it in you.

1:11:37
A guy that can't take it,
can't give it, and that's you.

1:11:41
You've proved that since you got
tripped up by a little bit of success.

1:11:44
You're not even on the level
with yourself. You're always acting.

1:11:47
Well, one of your audience is walking
out on you right now, and that's me.

1:11:51
- You're staying till the show opens!
- That's what you think!

1:11:54
Okay!
1:11:55
Hey, you!
1:11:56
Come back here!
1:11:58
The yes man says no!

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