:20:01
The scene in Radio City Music Hall,
:20:03
which is where the film first played,
:20:06
l find myself coming into a side
entrance of Radio City Music Hall.
:20:13
This was a very interesting
experience with Hitchcock,
:20:17
because when you're in a scene,
he just lets you go.
:20:22
But in this instance he wanted
definite looks because of his cuts.
:20:27
He told me, "Now look over there.
Now l want you to look over there."
:20:32
"Now look there.
Now look there. Now go."
:20:38
Now l ran. l ran up onto the stage.
:20:40
The movie that was being played had
a scene that involved gunplay.
:20:45
What we ' re playing
:20:47
on the stage of the theatre
:20:50
with the real audience,
or with the audience,
:20:53
is also gunplay.
:20:55
We must have shot a piece of film
:20:57
that involved
the timing with that shooting
:20:59
in the movie within the movie.
:21:03
What Hitchcock wanted was
the interplay of those things
:21:06
and at which point
the audience became aware
:21:09
of the reality within the picture.
:21:13
The audience is laughing, and suddenly,
a guy falls over in the audience.
:21:16
(Woman) My husband! He's shot!
:21:20
And the audience becomes aware that
there is real gunplay in the theatre.
:21:26
- (Gunshots)
- (Woman ln Movie)
:21:29
(Man ln Movie)
Go on. Get out. Get out!
:21:32
- (Gunshots)
- Not that way!
:21:34
Stop!
:21:39
There he goes!
:21:42
- He's the one!
- You're the one we're after.
:21:44
l tell you he's the one!
He'll get away!
:21:45
- Come on.
- Go after him. Don't lose him.
:21:48
(Lloyd) Hitch had a wonderful
gift for improvisation.
:21:52
We were shooting one day,
and news came in that the Normandie,
:21:56
which was then the largest liner
in the world