:30:01
Because I never fell.
:30:03
It was the camera
going from the close-up,
:30:05
up to the ceiling.
:30:07
But with this and the that
and so forth,
:30:10
it looked like I was falling.
:30:13
(Woman Screams)
:30:16
lt was breathtaking to me,
because l ...
:30:19
even though
l was aware of the pieces,
:30:21
l didn't know how, really,
how he would put this together.
:30:25
And, of course,
finally seeing that last fall
:30:28
and hearing the scream,
which was my scream,
:30:30
it's just like a kid in a toy shop.
:30:33
l was just in fantasy land with it.
:30:37
It was just so great.
:30:39
And to see myself on the outside
of Radio City, where it opened.
:30:44
They had these great things on
the wall of the exterior of the theatre ,
:30:50
where they put photographs
from the film.
:30:53
And there l am with a gun,
you know, and so on, looking ...
:30:57
l used to take actor friends along,
:30:58
and say,
"Would you like to take a walk?"
:31:00
And we'd walk,
and I'd always come by.
:31:04
I'd say, ''Oh, look.''
:31:07
The guys were flabbergasted.
:31:12
ln the course of making Saboteur,
:31:15
l'm proud to say that Hitchcock
and l became good friends.
:31:20
And, subsequently,
he cast me in Spellbound.
:31:25
Then, in 1957,
:31:27
he had been put in the television
business by MCA.
:31:39
Good evening.
:31:40
And he was the star of the show.
:31:42
He was on every week,
and... he loved it.
:31:55
At the end of the second year,
there was a series called Suspicion,
:31:59
and they felt that they needed more
help in the making of these pictures,