:24:00
That isn't why we're opening the theater.
:24:02
The salary's all right,
but how have you got the nerve...
:24:05
...to offer us third or fourth billing
after my performance tonight?
:24:10
Is this kid in your show?
:24:12
Am I in the show! Who do you think
was Peck's Bad Boy?
:24:16
I beg your pardon.
I didn't quite recognize you.
:24:20
You didn't? Then maybe you're not
the showman you're cracked up to be.
:24:24
- George!
- George!
:24:25
Well, now, maybe I'm not.
:24:28
Maybe you're not quite ready
for the big time yet.
:24:33
Mrs. Cohan. Mr. Cohan.
Good night.
:24:38
Mr. Albee!
:24:42
- How do you do, Mr. Albee?
- Good evening.
:24:44
- Can I call you a carriage?
- Lf you will.
:24:46
Carriage for Mr. Albee!
:24:50
You see what happens
because you wouldn't lay a hand on him?
:24:54
A mother doesn't do any punishing.
She gives her permission.
:24:57
Have I your permission?
:25:00
You certainly have.
:25:03
Shouldn't you get my permission too?
:25:05
- Not on the hand, he has to play the violin!
- All right, not on the hand.
:25:10
Not on the mouth, he has to sing!
:25:12
All right, not on the mouth.
Come here.
:25:17
Here's one place without any talent!
:25:28
- Who were Lewis and Clark, George?
- Acrobats?
:25:32
- Look at this swell write-up we got.
- Write-up?
:25:35
You found us whenever new states
sprouted on the prairie.
:25:38
We played every town in America
that had a theater.
:25:41
- Any mail for Mr. Cohan?
- No. Your father picked up his mail.
:25:45
I mean for Mr. George M. Cohan.
:25:48
The next 10 years rushed by
like a circus train.
:25:51
Dad seemed content with the sticks,
but I was straining at the leash.
:25:55
- Here's your mail, Mr. Cohan.
- Thanks.
:25:58
Couple of tickets for the show.