1:14:03
I didn't write it for the millions of Marys.
1:14:06
I wrote it for one particular,
very special Mary.
1:14:09
It's a wonderful feeling
having your name written in music.
1:14:13
- Not bad music either, huh?
- Nope, it isn't.
1:14:17
How will everybody know I'm the Mary?
1:14:19
I want to make sure that everybody
knows it was written for me.
1:14:23
They'll know, all right.
1:14:25
When they look at you singing that song
and then look at me looking at you...
1:14:30
...they'll know.
1:14:31
- Oh, George.
- Take it up an octave.
1:14:34
- George.
- Better.
1:14:38
Excuse me for butting in,
I've been looking all over town for you.
1:14:41
Strange that I should find you here.
Hello, Mary.
1:14:44
George has just written me a new song
for the show. Think I'll be able to do it?
1:14:49
Of course.
You've got a nice little voice.
1:14:51
That is not a little voice.
You need an ear trumpet.
1:14:54
We've got to go. We've got to see
Fay Templeton before she goes on.
1:14:58
- What does she want to see us about?
- We want to see her.
1:15:01
You need a leading lady,
you've got your ingénue.
1:15:05
- George!
- Fay Templeton, not bad.
1:15:08
If she can do two years in the turkey
she's in, she can do four for us.
1:15:11
- Will she take it?
- I don't know.
1:15:13
- At least you can get her autograph.
- Or she can get mine.
1:15:16
- Bring her back to supper after the show.
- We will, if she's still speaking to us.
1:15:34
A flower, mister?
1:15:37
- Here you are.
- Would you like to buy it?
1:15:40
Thank you.
1:15:41
One thing in our favor
is Erlanger's on our side.
1:15:44
- He's got influence with Miss Templeton.
- You take Erlanger and I'll tackle Templeton.
1:15:48
You don't tackle a star like Miss Templeton,
you approach her and very tactfully.
1:15:53
Well, if it's tact that does it, it's done.
1:15:58
If you get me in to see Miss Templeton
I'll get you passes to my next show.