1:21:00
Abe, I've got to change for the second act.
1:21:05
Fay, don't make up your mind too quickly.
Take a little time to think it over.
1:21:09
Who's locked my door?
1:21:12
- Who is it?
- What's going on here?
1:21:15
He'll be through in a minute.
1:21:18
Excuse me, Miss Templeton,
I didn't realize who you were. Come in.
1:21:22
- May I?
- Well, of course.
1:21:25
What does this mean?
Mind telling me why you're still here?
1:21:28
- It's ready and waiting and dedicated to you.
- What?
1:21:32
When you made that speech you said
you lived 45 minutes from Broadway.
1:21:36
That struck me as a perfect title
for a show and a song.
1:21:39
During the first act
you've written this new song?
1:21:42
- Strange surroundings, so it took longer.
- He's worked so hard. At least hear him.
1:21:47
- It'll only take a minute, won't it?
- Depends on the encores.
1:21:51
Well, you certainly are persistent.
All right, go ahead.
1:21:56
- Mind if I change?
- Thank you, Miss Templeton.
1:21:59
Thank you very, very much.
Go ahead, George, play it.
1:22:42
That's good. It's rather different.
1:22:46
You like it, Miss Templeton, do you?
Excuse me!
1:22:50
That's only a chorus number.
1:22:51
He's got one number called "Mary"
that's just perfect for you.
1:22:55
- She doesn't sing that.
- She is going to!
1:22:57
Shut up. Wait till you hear this,
it's the best thing he's ever done.