1:17:03
You know I'll not harm you, don't you?
1:17:05
How could I harm you?
I've always helped you, haven't I?
1:17:10
- Yes.
- Yes what?
1:17:13
Yes, you've always helped me.
1:17:16
Of course I have. Biancarolli knows.
She wouldn't let you sing.
1:17:22
She didn't know how much I love you.
Now she knows.
1:17:26
But it doesn't matter now. Nothing
matters except you and me, Christine.
1:17:30
Now you'll sing all you want...
but only for me.
1:17:33
You will, won't you, my darling?
1:17:37
Of course.
There's a piano in the Opera foyer.
1:17:40
Let's go there.
You play and I'll sing for you.
1:17:42
But you don't understand.
We can't go back there... ever.
1:17:48
It was I who made the chandelier fall.
l, for you, Christine.
1:17:53
But I warned them. I said there'd be death
and destruction if they didn't let you sing.
1:17:58
Come.
1:18:18
See? Didn't I tell you it was beautiful?
1:18:22
You didn't know we had a lake
all to ourselves, did you?
1:18:28
They've poisoned your mind against me.
That's why you're afraid.
1:18:34
Look at your lake, Christine. You'll love it
here, when you get used to the dark.
1:18:40
And you'll love the dark too.
It's friendly and peaceful.
1:18:44
It brings rest, and relief from pain.
1:18:47
It's right under the Opera. The music
comes down and the darkness distils it,
1:18:51
cleanses it of the suffering that made it,
then it's all beauty.
1:18:55
And life here is like a resurrection.
1:18:58
This is more than just
a performance of a new concerto.