Phantom of the Opera
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:18:03
"Today, audiences do not accept
the unreal or supernatural,

:18:07
so we must create a new formula
for portraying horror."

:18:11
Jacoby's pragmatism failed to justify
the crux of the production's plot -

:18:14
why a girl would place
her faith in a masked killer

:18:17
who whispers promises of artistic glory
from behind her dressing-room wall.

:18:22
Henry Koster reasoned it out
in the story conference

:18:24
and suggested that the two principal
characters were father and daughter.

:18:28
We'll talk about Jacoby and the Koster
production as our narrative unfolds.

:18:34
That's Leo Carrillo as the stuffy
Italian vocal teacher in Paris.

:18:38
He's doubly out of place, as he was
usually in genial roles in B-pictures.

:18:43
Leo had previously appeared for Waggner
as the comic sidekick in Horror Island.

:18:48
Modern Angelinos who seek the quiet
of a rocky beach north of Los Angeles

:18:52
wonder who the heck this Leo Carrillo is
that their state beach is named for.

:18:56
Ageing baby boomers can snigger,
and they wonder

:18:59
why this beach is named for the plump
actor they remember as Pancho,

:19:03
Duncan Renaldo's silly sidekick in the
early-'50s TV show The Cisco Kid.

:19:08
It takes a sense of history to know
that the Spanish-Italian Carrillo

:19:11
was the son of the first mayor
of Santa Monica,

:19:14
that his great-grandfather Carrillo was
the first provisional governor of California,

:19:18
and that his family once owned all of
California from Monterey Bay to Mexico.

:19:24
Universal would boast that this remake
of Phantom cost $1,750,000,

:19:29
which is an exaggeration. Director Lubin
told me it was probably $990,000,

:19:34
but definitely not more than
1,250,000 with overhead.

:19:38
Still, when you remember that Waggner
had made Man Made Monster for $90,000

:19:42
and Ali Baba and the Forty Thieves was
made in Technicolor the following year

:19:46
for $554,000,
:19:49
you see what a risk a
million-dollar Phantom was for Universal.

:19:52
Cliff Work and Nate Blumberg
were nervous.

:19:55
They would send functionaries to the set
to rush Lubin along to finish the setups.


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