:28:02
I like it when you laugh.
:28:04
I like it when you don't.
:28:06
I guess I like you whatever you do.
:28:08
(Wright) I was delighted with Hitch.
:28:11
He was enchanted with the idea
of Pat doing something on it.
:28:17
Jack!
:28:30
Darling, you might have been killed!
:28:36
(Car Engine Ticking Over)
:28:42
Charlie!
:28:43
What are you trying to say, Charlie?
:28:47
Go away.
:28:49
I just don't understand it.
:28:52
First the stairs, and...
:28:57
(Bogdanovich)
She doesn't see what's going on.
:29:00
She has a kind of blindness.
:29:03
But she's rather touchingly handled.
:29:05
Your heart breaks for her.
:29:07
She's almost desperate
to remember that past,
:29:10
to remember that childhood
that was evidently idyllic.
:29:13
Both she and Uncle Charlie
have a tendency to glamorise
:29:18
and romanticise the past,
:29:20
which is what those shots of the
Merry Widow dancers call to mind,
:29:25
another era, a more romantic period.
:29:29
But I want you all to know that
I'll always think of this lovely town
:29:34
as a place of hospitality and kindness.
:29:38
And homes... homes.
:29:42
But I can't bear it if you go, Charles.
:29:44
(Bogdanovich) She's one of the
most touching characters in his work.
:29:49
It's just the idea
that we were together again.
:29:54
I'm sorry.
:29:55
(Bogdanovich) Because she's
so crazy about her brother,