:49:02
There's something
very curious
:49:03
about that door up there.
:49:05
To open it you'll have
to know the combination.
:49:08
But I tell you I spoke
to no one on that train.
:49:11
Well didn't
that little man
:49:12
try to be
attentive to you?
:49:14
Oh he,
:49:15
he may have offered
the usual courtesies
:49:17
I don't even remember.
:49:18
I see.
:49:20
I'm sorry.
:49:22
Wont you smoke
one of these?
:49:25
Thank you.
:49:27
And you're quite sure
:49:29
he said nothing
at all to you?
:49:30
Of course I'm sure.
:49:32
Permit me.
:49:44
And your certain
:49:46
that nothing
passed between you?
:49:48
I'm certain.
:49:53
Mr. Howell please.
:49:58
I must ask you to
trust me with your bag
:50:00
a little longer.
:50:01
I have an
eccentric interest
:50:03
in the linings of purses,
:50:04
it's (unintelligible).
:50:09
Awe, you know
Mr. Howe I believe.
:50:12
Mr. Howe is a gentleman
:50:13
of unusual
accomplishments.
:50:15
Under his influence
:50:16
I've known people
to talk fluently
:50:18
who never talked before.
:50:21
But I don't know anything
I tell you, nothing!
:50:23
Nothing I swear it!
:50:25
I don't know anything!
:50:32
You stay out here.
:50:33
I'll go inside.
:50:34
I'll assume the character
:50:35
of an eccentric
art collector.
:50:37
As soon as I'm convinced
:50:38
that this is the
place were looking for
:50:40
I'll signal to you
:50:41
and you get Grogan
:50:42
and bring him
here on the run
:50:44
but don't take any time,
:50:45
an extra second
may cost a life.
:50:55
No madam, I don't
know who she is
:50:57
but notice the modeling.
:50:59
It has good symmetry,
good lines.