1:10:00
My play takes place in--
1:10:02
I'll be right with you, O'Hara.
Right with you.
1:10:05
Just give me one moment.
1:10:08
Now get going! All three of you.
1:10:20
This affair between my brother and myself
has got to be settled.
1:10:23
But we've got trouble enough as it is.
Come, let's go.
1:10:27
We're not going.
We're sleeping right here in this house.
1:10:30
What? With a cop in the kitchen
and Spenalzo in the windowseat?
1:10:34
That's all he's got on us. We'll take
Spenalzo and dump him in the bay.
1:10:38
After that, we're coming back here.
Then if he tries to interfere--
1:10:41
No, no, Johnny. No, please.
1:10:43
We've got a wonderful setup here.
We can make a fortune.
1:10:46
Two old ladies as a front.
Only Mortimer stands in our way.
1:10:51
I never did like Mortimer.
1:10:53
Please, take it easy. Please!
1:10:56
Doctor, you know
when I make up my mind--
1:10:58
When you make up your mind,
you lose your head.
1:11:01
Look, Brooklyn ain't a good setup for you.
1:11:05
Okay, Johnny. Okay!
1:11:09
Take the instruments and hide them
in the cellar. Move fast.
1:11:14
-You don't know what goes on in Brooklyn.
-I don't know.
1:11:18
-My mother was an actress.
-Legitimate?
1:11:20
Of course. She was my mother.
1:11:22
-Excuse me.
-Peaches La Tour was her name.
1:11:26
-Come quick!
-What's the matter?
1:11:28
-You know that hole in the cellar?
-Yes.
1:11:30
Well, we got an ace in the hole.
1:11:34
It's no fly-by-night idea.
I worked on it for 12 years.
1:11:37
Well, rehash it. I'll be back in a minute.
1:11:40
-Swell.
-I like the first act.
1:11:41
I didn't tell you the first--
1:11:51
I thought I told you....
1:11:57
Yes, Mortimer.