Cover Girl
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1:09:02
l wish you weren't upset
about the way Mother--

1:09:05
-She's lived a sort of conventional life.
-Upset?

1:09:08
Why, l'm delighted.
Mr. Pastor's delighted.

1:09:11
The piano player's delighted.
Everybody's delighted.

1:09:14
We think your mother's very intelligent.
1:09:17
Listen, Maribelle, l--
1:09:18
A very intelligent woman. Why, she
knows l don't belong on Fifth Avenue.

1:09:23
She knows l belong right here. And now
l do too, not that l didn't know it before.

1:09:28
l don't believe it.
l didn't before and still don't.

1:09:31
Oh, John, dear, we've been through
all this before.

1:09:35
But l didn't quite know
how right l was until--

1:09:38
l was very uncomfortable
in that pile of rock you call a house.

1:09:42
That was because of Mother.
1:09:44
From now on, Mother doesn't exist.
1:09:46
Nothing exists that can come
between you and me, do you hear? l....

1:09:52
What's that?
1:09:55
That's him.
1:10:03
He's hard to keep out, isn't he?
1:10:06
Maribelle, listen to me.
1:10:07
l know what he has to offer.
l know what this has to offer.

1:10:10
lt's nothing to what l can give you.
He loves you.

1:10:14
But not the way l do. Forty years from
now l'll love you more then l do now.

1:10:19
What you have now,
you can have a million times.

1:10:21
All the things you tell me
are important: love, fun, music.

1:10:25
lf you marry me, you'll have
all of them. l promise.

1:10:28
The very best that money can buy.
1:10:31
Now do you understand
my interest in Rusty?

1:10:34
lt's like my youth has come back after
having been away a long, long time.

1:10:40
Who was playing the piano?
1:10:43
A very ordinary, young fellow
who worked there.

1:10:46
ln love with her.
1:10:47
What difference does that make?
He had nothing to offer her.

1:10:51
Like me.
1:10:52
lf you like.
1:10:56
Thanks for a very interesting evening,
Mr. Coudair.

1:10:59
But it's after 1 :00, and Rusty'll
be waiting at a place we know.


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