1:03:00
- Aren't you coming with us?
- No, I think I'll walk home.
1:03:03
I want to think about my sermon for Sunday.
1:03:05
- It'll be extra special for your parents.
- Oh, good.
1:03:08
On how to bring up children.
1:03:10
Father! Good luck to you!
1:03:13
[Children's voices harmonizing]
1:03:26
Chuck.
1:03:29
- Jenny!
- Chuck, it's good to see you.
1:03:32
It's good to see you, too.
1:03:34
- Where were you going, Jenny?
- To work, and I'm late. Come along.
1:03:39
[Musical instruments being tuned]
1:03:50
MAN: Gangway.
1:03:58
What are you doing here?
This is the Metropolitan.
1:04:01
- This is where I work.
- Wait a minute. Isn't that Carmen?
1:04:06
[Laughs heartily]
1:04:07
What do you play,
one of the spectators at the bullfight?
1:04:10
Believe it or not, I'm Carmen.
1:04:13
O'MALLEY: Jenny Tuffle, Carmen?
1:04:15
I've changed that. It's Genevieve Linden.
1:04:17
I was singing Carmen in Rio
and they heard me and said:
1:04:19
"Would you sing it here?"
Here. Can you imagine?
1:04:21
- Jenny Tuffle at the Metropolitan.
- Imagine that.
1:04:24
Well, Chuck, make yourself comfortable.
I have to be getting on with it.
1:04:30
It's good to see you, Chuck.
1:04:32
[Soft instrumental music]
1:04:35
Come on, Effie, I'm terribly late.
1:04:40
I don't know why I'm even talking to you.
1:04:42
O'MALLEY: No?
JENNY: Why didn't you write?
1:04:45
- I did write.
- I know you did, but why did you stop?
1:04:51
O'MALLEY: Didn't I tell you?
JENNY: No, you didn't, but you're going to.