1:11:02
I think it should more properly
be brought to your attention.
1:11:05
Nice work, Mrs. Quimp. What is it?
1:11:07
Suppose you tell Father O'Malley
in your own words.
1:11:11
You'd better tell him, Father.
1:11:18
Your little songbird
who was without funds...
1:11:21
but not a bit interested
in general housework...
1:11:24
is feathering her nest in her own manner.
1:11:27
And if Mrs. Quimp's observations
are correct, a very fine manner it is.
1:11:31
It seems, Father O'Malley,
that the young lady in question...
1:11:34
has an apartment directly across the street.
1:11:37
Opposite Mrs. Quimp's bedroom.
1:11:42
According to Mrs. Quimp, young Ted Haines
comes early and stays so late that...
1:11:46
Mrs. Quimp is losing a lot of sleep.
1:11:50
It's queer, isn't it, Father?
1:11:53
Young Haines was ready to throw me out
without so much as a "How do you do?"
1:11:57
But when it comes to this young lady...
1:12:00
and mark you, there are other words
I could call her...
1:12:03
he acts quite different.
1:12:06
Don't you think it's strange?
1:12:08
That's a question.
People do funny things, you know.
1:12:11
Fine goings-on, Father O'Malley.
It's as plain as the nose on your face.
1:12:14
The nose on whose face, Father?
1:12:17
It doesn't matter whose face it's on.
You and I have got to face it.
1:12:22
Excuse us.
1:12:28
This is very serious business,
Father O'Malley.
1:12:31
As you're more familiar with the case,
I think you should handle it.
1:12:36
I'll handle the little sins.
1:12:44
[Singing] All through a lifetime
1:12:49
I'll be loving you and then
1:12:55
On the day after forever