:50:00
Hello,
Mr. Mitchell.
How are you, Charles?
:50:06
Hi, Marko.
Why, hello.
:50:09
Won't you join us?
Thanks.
:50:11
Miss Carver, may I present
the most harmless man in town...
:50:14
George Mitchell.
Oh, the columnist.
How do you do?
:50:17
I do all right.
Haven't I seen you somewhere?
:50:20
Seattle?
No.
:50:22
I'm afraid not.
This is my first
engagement in Los Angeles.
:50:25
My mistake and hard luck.
:50:27
I dropped in to see
if you'd like to go to the Bowl.
:50:29
I've got tickets.
What's on?
:50:31
Oh, Shostakovich,
isn't it?
The seventh.
:50:33
[Mitchell]
Good exercise
for your musical appreciation.
:50:35
Yes, very tempting,
but thank you just the same.
:50:39
Okay.
Some other time.
:50:41
Why don't you go?
It'll do you good.
:50:43
I'll be here
when you get back.
:50:44
Sure. Maybe I can dream up
a nice plug for her and,
of course, for Rio's.
:50:49
Huh. Who am I to turn down
free advertising?
:50:52
Perhaps an evening with
Shostakovich might prove
very... enlightening, what?
:51:00
[Music Stops]
[Applause]
:51:02
Be a good girl,
Catherine.
:51:20
Where'd they go?
To the Bowl.
:51:22
Good.
That columnist
was at the trial.
:51:24
He might have recognized me.
We've got to risk that. This
looks like the ideal moment.
:51:30
What's the combination?
:51:32
No, Marty.
That's my job.
:51:40
If anyone's gonna stick
their neck out from now on,
it's going to be me.
:51:44
You can't. You go on
for dinner music in a minute.
:51:46
That can wait.
No, Marty!
[Sighs]
:51:50
Well, I'll keep an eye on him.
:51:55
If he starts up
these stairs, I'll segue into
"Moonlight Sonata." Right?