:54:14
Thank you, Mr. Boray.
:54:15
- Well, what do you think?
- Good. Excellent in many ways.
:54:18
Then you forgive me?
:54:20
Forgiving you, Helen, is like
an old and not unpleasant habit.
:54:23
I knew you wouldn't come if
I told you to listen to a recital.
:54:26
I think symphony conductors
develop selective ears.
:54:29
They can be very deaf on occasion.
:54:32
- Where did you study?
- At the National Institute.
:54:34
- With Rozner?
- Yes, sir.
:54:36
- Where can I reach you?
- Through Bauer.
:54:38
Bauer. You're in good hands.
:54:40
Phone my secretary someday.
I'd like to talk to you.
:54:43
- I will.
- Thanks again, Mr. Boray.
:54:45
Goodbye, Mr. Jeffers.
:54:47
If the orchestra's hard up for funds,
I'd be glad to help.
:54:50
Thanks again for coming.
Give my love to Lisa.
:54:52
I don't think he knew
we were gonna play.
:54:55
He didn't seem to mind.
He left the first chance he got.
:54:58
Mr. Hagerstrom, mind
dropping me off downtown?
:55:00
I have to report to my parole board
every two weeks.
:55:03
- Goodbye.
- Goodbye, Helen.
:55:37
Why are you angry?
:55:39
Didn't Hagerstrom know
I was coming here to play?
:55:42
No, not quite.
:55:43
You might've told me that.
:55:45
- I took it for granted you'd want to play.
- I wanted to. I respect him.
:55:49
- But that's not the point.
- What is the point?
:55:51
The way you did it.
Without him knowing.
:55:54
Look, it was for your sake I asked
him up here. I don't play the violin.
:55:58
The patroness of the arts. What am I?