Lured
prev.
play.
mark.
next.

1:28:01
The sun gives up his breath Don´t be
be afraid to die, for beauty is

1:28:06
...still more beautiful in death
The poems we received were written

1:28:10
in the same style, in fact our
criminal must had copied Bodelaire

1:28:14
Very odd
1:28:16
Did Mr. Fleming have access to
your books?

1:28:19
The door in our offices were
never locked

1:28:22
Bur Mr. Fleming hasn´t the faintest
idea who Bodelaire is, he never reads

1:28:26
it gives him nothing he couldn´t get
from a woman´s smile

1:28:31
Do you follow my reasoning?
1:28:33
Yes, I believe I do
1:28:36
So we both know who the real
murder it is

1:28:40
You seem to be playing cat and
mouse game, inspector

1:28:44
Aren´t you enjoining too?
1:28:47
Yes, I am so let´s go on
1:28:50
I assume that you are hinting
that I might be the murder

1:28:54
Very well then, we´ll assume that
I killed those 8 girls

1:29:00
The police had no clue, I was quite
safe, why did I send the last poem?

1:29:06
That Mr. Willes is the one poem
I couldn´t understand

1:29:10
That´s the critical point inspector,
the crack of your case

1:29:14
I couldn´t understand until recently
why you incriminated Fleming...

1:29:19
...it´s really simple, you´re
in love with Sandra Carpenter

1:29:25
Yes I am
I confess inspector

1:29:29
But you´d have a superb case
theoretically of course

1:29:34
Incidentally it would be ridiculous
to try to prove it in a Court of Law

1:29:38
You´ll make a great mistake if you
under estimate the Courts

1:29:43
I confess you make me feel possibly
guilty.

1:29:47
l´d confess all this
if it wasn´t for the fact I learned...

1:29:51
before you came into this room
1:29:55
What fact is that?
1:29:58
Don´t you know?
Didn´t you come from your office?


prev.
next.