:23:00
- I know it's gonna be better now.
- And, one, two, three, four.
:23:06
Now, look at me intimately, caressingly.
:23:09
Make every man in the audience
wish that he were in my shoes.
:23:14
That's the idea.
:23:16
Closer. Closer.
:23:18
More. More.
:23:21
Lunch. Marty, about an hour
I think will do, don't you?
:23:26
- Leave the music?
- I've got the place all afternoon.
:23:29
- It won't make any difference.
- Okay.
:23:37
Was I too terrible?
:23:39
No, no.
:23:41
You know, I've never really danced before.
:23:44
You're going to be fine.
:23:47
Mr. Hewes, you know,
you don't have to go on with this.
:23:50
- Now, look...
- I mean it.
:23:52
You're a wonderful dancer.
You could get anybody to dance.
:23:55
You could get the best.
:23:56
I don't want the best. I want you.
:23:58
I mean, look. You didn't ask me for the job.
I picked you.
:24:02
You're gonna make good.
Not just for your sake, but for mine.
:24:05
It means a great deal to me.
:24:09
- It does?
- Come on.
:24:20
Oh, look. The Easter Parade.
Isn't it beautiful?
:24:24
It's all right, if you like Easter Parades.
:24:31
I can't believe I'm really here.
:24:33
I used to read about the Easter Parade
in New York...
:24:36
- Excuse me.
- In New York.
:24:38
And then I'd look at the pictures
of the women in their lovely clothes...
:24:43
...dream that maybe someday l...
Here I am.
:24:47
Oh, look.
:24:53
May I take your picture, Miss Hale?
:24:56
Hold it, Miss Hale.
:24:58
Just one more, Miss Hale.