:43:00
Something like that, but thicker lips.
:43:06
There, that's it. That's him.
:43:09
All right. Hold that right there, Lee.
:43:12
Come in, Mr. Reeves.
:43:15
-Good evening, Captain.
-Did you ever see that face before?
:43:22
lt's Roy.
:43:25
Except for the hair being a little lighter
and the eyebrows heavier, it's Roy.
:43:30
-You're sure?
-l'm positive. l'd know him anywhere.
:43:35
Lee, l want a retouched photograph.
:43:38
Lighten the hair,
and give more body to the eyebrows.
:43:41
-Right.
-Lights.
:43:45
That's all. Thank you very much.
You've been a great help.
:43:48
lt's positively amazing
how you found out what he looks like.
:43:51
We're looking
for an amazing criminal, Mrs. Johnson.
:43:54
-Thank you and good night.
-Good night, Captain.
:43:57
And so the face of the unknown killer,
built up from fragments of evidence...
:44:01
was sent out all over the country...
:44:03
to chiefs of police, sheriffs,
county constables, and county jailers...
:44:09
to the wardens of prisons...
:44:12
to all postmasters and postal inspectors...
:44:16
to the agents of the Treasury Department...
:44:19
to the FBI.
:44:21
They showed that picture
to the inmates of jails and prisons...
:44:25
to men with a wide acquaintance among
the cat burglars and the violence boys.
:44:29
Informers, con men,
and sharpshooters were quizzed...
:44:32
those on the fringe of crime,
and those deep in the rackets.
:44:35
Many wanted to help. Nobody could.
:44:38
No one in the underworld
recognized that mysterious face.
:44:42
He was as unknown
as if he had lived in the 16th century.