The Red Shoes
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1:47:00
- Good night, Boris.
- Good night, Irina.

1:47:05
- Good season.
- With the Ballet Lermontov, always.

1:47:10
- Good night, Boris.
- Good night, Sergei.

1:47:13
- Sergei!
- Yes?

1:47:14
- Would you wait a minute, please?
- Yes, of course, Boris.

1:47:22
- Good night, Boris!
- Grischa, please come in and wait.

1:47:27
0h...a conference.
1:47:32
- Ah!
- Uh!

1:47:38
Letters.
1:47:41
- Nobody writes to me.
- That's not true.

1:47:45
Yours...from Vicky.
1:47:47
From Vicky?
1:47:50
- How is that girl?.
- Read it. You'll see.

1:47:53
And this is from Julian.
1:47:55
It's all about his new opera.
1:47:58
It describes the whole structure.
Enormous talent, that boy.

1:48:08
He says...
1:48:11
"She is an inspiration.
1:48:15
"A miracle."
1:48:16
- Thank you, Mr Boudin. That's all.
- Merci. Bonsoir.

1:48:20
Well...I see it's mail day.
1:48:23
From our two young rebels.
1:48:25
Deserters. I hope they're happy.
1:48:29
- Read, Boris.
- Yes. Read this, too.

1:48:32
It might make you sorry
to have lost that young man.

1:48:36
I doubt it.
1:48:38
That reminds me...
1:48:39
Jacques sent me
the new score of La Belle Meunière.

1:48:43
I like it.
I'd like you all to hear it at once.

1:48:46
We might open with it in London.
1:48:48
- With Irina?
- We can discuss that.

1:48:51
Lights, all gaiety, fire.
1:48:54
Be good enough to glance through it.
And no prejudice, please.

1:48:58
I hope you say that
to yourself sometimes.


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