1:12:03
No playwright in the world
could make me believe
1:12:05
this would happen between two adult people.
1:12:10
Goodbye, Margo.
1:12:18
Bill?
1:12:22
Where are you going?
1:12:24
To find Eve?
1:12:28
That suddenly makes
the whole thing believable.
1:12:53
Lloyd.
1:12:56
- Lloyd, what's happened?
- Up to here, that's where I've got it.
1:12:59
Of all the star-ridden,
presumptuous, hysterical...
1:13:02
- Margo again.
- And again and again.
1:13:04
- Two hours late for the audition.
- That's on time for Margo.
1:13:07
And then a childish routine about
not knowing Eve was her understudy.
1:13:11
- It's possible she didn't.
- She knew.
1:13:13
Addison told her how superbly
Eve had read the part.
1:13:17
Karen, let me tell you about Eve.
She's got everything. A born actress.
1:13:21
- Sensitive, understanding, young, exciting...
- You'll run out of adjectives, dear.
1:13:26
Everything a playwright first thinks
of wanting to write about,
1:13:29
until his play becomes
a vehicle for Miss Channing.
1:13:32
Margo hasn't done badly by it.
1:13:34
Margo's great.
She knows it, that's the trouble.
1:13:37
She can play Peck's Bad Boy
all she wants and who's to stop her?
1:13:40
Who's to give her that boot
in the rear she needs and deserves?
1:13:46
It's gonna be a cosy weekend.
1:13:48
- What is?
- We're driving to the country tomorrow.
1:13:51
Just the four of us. Bill, Margo, you and I.
1:13:55
Well, we've spent weekends
before with nobody talking.
1:13:58
Just be sure to lock up
all blunt instruments and throwable objects.