1:23:01
You're always after truth
on the stage. What about off?
1:23:06
- I'm for it.
- Then face it. I have.
1:23:09
- Ever since that first night in here.
- I told you what every actress should know.
1:23:15
You told me that whatever I became,
it would be because of you.
1:23:18
- Make-up's a little heavy.
- And for you.
1:23:22
- You're quite a girl.
- You think?
1:23:25
- I'm in love with Margo. Hadn'tyou heard?
- You hear all kinds of things.
1:23:30
I'm only human, rumours to the contrary,
and I'm as curious as the next man.
1:23:34
- Find out.
- Only thing:
1:23:37
what I go after I want to go after.
1:23:39
I don't want it to come after me.
1:23:48
Don't cry. Just score it
as an incomplete forward pass.
1:24:13
Who is it?
1:24:16
May I come in?
1:24:19
Certainly, Mr DeWitt.
1:24:24
I expected to find this room
with a theatreful of people atyour feet.
1:24:28
- I'm lucky they didn't throwthings.
- Your performance was no surprise to me.
1:24:33
After the other day, I regarded it
as simply a promise fulfilled.
1:24:36
You're more than kind. But it's
still Miss Channing's performance.
1:24:40
I'm the carbon copy you read
when you can't find the original.
1:24:43
- You're more than modest.
- It's not modesty. I don't try to kid myself.
1:24:48
A revolutionary approach to the theatre.
1:24:51
- But if I may make a suggestion...
- Please do.
1:24:55
I thinkthe time has come
to shed some of your humility.
1:24:58
It is just as false not to blow your horn
at all as it is to blow it too loudly.