Night and the City
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:09:02
Help yourself.
:09:04
Thanks, Adam.
I happen to need this right now for-

:09:08
- Well, I didn't expect them to deliver the -
- Sure.

:09:13
Harry's back.
:09:17
You knew that,
didn't you?

:09:19
These walls. Just one big, happy family.
:09:22
He gets so excited,
almost like a child.

:09:25
But anyone has to fight
not to get pulled in by his excitement.

:09:28
- His ideas always have so much imagination.
- I know.

:09:31
- Harry's an artist without an art.
- What does that mean?

:09:35
Well, that's something that'd
make a man very unhappy, Mary-

:09:38
groping for the right lever,
the means with which to express himself.

:09:42
Yes, he is that,
isn't he?

:09:44
I like that, Adam.
It's a very nice thought.

:09:47
Yes, but it
can be dangerous.

:09:49
Oh. No, you don't.
Not again.

:09:51
Every time you talk, you mix me up so
I can't think straight for a week.

:09:54
- Thanks, Adam.
- Anything.

:09:57
Anytime.
:10:11
- Hi, hi, Harry!
- Evening, Maggie!

:10:14
Can't win, boys!
Watch it!

:10:16
Evening, boys.
:10:18
- How's Fabian's stocks and shares, Harry?
- Never mind!

:10:22
- When are you gonna open up
your Paris office, Harry?
- Ehh!

:10:25
- Lovely flowers!
- Evening, Molly, my girl!

:10:27
Hello, Harry.
How are you?

:10:30
Well, you're sober.
Trade must be slow.

:10:32
Slow?
Disintegrating.

:10:34
- You need a fresh carnation.
- Thanks, Molly. Put it on my account.

:10:37
- That's all right, my dear. I'll trust you.
- There you are, Bert.

:10:40
Bless you, Harry. Half a crown!
:10:43
Don't mention it.
:10:45
If you giris want to work for my husband,
you've got to start offi on the right foot.

:10:48
You must understand the rules -
what he'll stand for and what he won't.

:10:52
First, no stealing from the gentlemen
while you're in the club.

:10:55
What you do outside
is none of his business...

:10:58
but in here we take it from them legitimate
and no complaints later.


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