Stage Fright
prev.
play.
mark.
next.

1:14:11
Excuse me, madam. I've...
1:14:14
I've got to sneeze.
1:14:39
- Miss Livingston, I presume.
- That's not my name.

1:14:41
Oh, no, no. It's Nellie Goode, isn't it?
But what does the name matter?

1:14:45
After all, I could think of lots of much
more appropriate names for you.

1:14:48
Yes, I could think of a few for you too.
Who are you?

1:14:52
I understand my daughter has entered
into a somewhat shady transaction.

1:14:56
- I don't know what you're talking about.
- Well, you are a blackmailer, aren't you?

1:15:00
You know, that's a very,
very naughty thing to be.

1:15:02
Don't say things like that to me.
You could be had up for a thing like that.

1:15:06
Now, don't be so peppery.
1:15:07
- I like to keep things on a friendly basis.
- One short.

1:15:11
It's all I've got. You don't want
me to walk home...

1:15:13
I don't care if you crawl home.
1:15:15
Oh, well, it doesn't matter. I'm not mean.
And you've got till tomorrow morning.

1:15:20
Father, Freddie Williams, Charlotte's
manager, spotted me as Doris.

1:15:23
I had to go into Charlotte's tent.
1:15:26
If there's one thing I hate,
it's saying I told you so.

1:15:29
And the police want to talk to Doris.
I don't know which way to turn.

1:15:32
I think I'll get Smith
and tell him the whole story.

1:15:35
Have you got him to suspect
Charlotte yet?

1:15:37
I'm afraid not.
1:15:39
But I thought you had to pick him up at
Whitehall. Didn't you talk to him about it?

1:15:44
But, yes, I did...
1:15:46
...in a way.
1:15:49
In a way?
1:15:51
Oh, I see.
1:15:53
Some more important topic arose
in the conversation.

1:15:57
Only there's one slight complication,
my dear: Jonathan.


prev.
next.