1:31:21
- What time is it anyway?
- What's the difference?
1:31:24
Hey!
1:31:26
What's everybody quitting for?
1:31:28
Oh, come on, Johnny.
We got lots of time.
1:31:31
But I got a recording date at 10:00,
and I'm dead before I'll begin.
1:31:35
I'm so tired I can't hold on to my horn.
1:31:37
I got just the other trouble.
This keeps sticking to my hand.
1:31:41
I can't shake it off.
1:31:42
- Let's cut out. I'm beat.
- See you at the studio.
1:31:45
- Yeah.
- Oh, come on. Let's kick it around.
1:31:48
Hey, just once more, fellas,
what do you say?
1:31:50
Don't you ever sleep?
1:31:52
Hey, Smoke, you stick by me, huh?
1:31:56
Just a few more licks.
1:31:59
Just a few...
1:32:05
Hey, Rick, what's the matter?
1:32:07
Hey, what's the matter?
1:32:09
- Are you all right? Well, get up.
- I'm okay, I...
1:32:13
- Where's my...?
- Right there. Sit down.
1:32:16
And don't do that again.
You really scared me.
1:32:20
It felt like I fell a long, long way.
1:32:24
- Here.
- No, no, that's...
1:32:33
Hey, Smoke.
1:32:34
Hey, you know what we ought to do?
1:32:36
We ought to make our own records.
Make them the way we want.
1:32:40
Boy, we could make records
that'd really split them wide open.
1:32:43
Make them sit up.
1:32:46
Do some of the old ones Art
used to do, like...
1:32:48
..."Dinah" and "Twelfth Street Rag"
and "Louisiana Blues."
1:32:52
They won't buy them.
1:32:55
- Who won't?
- People.
1:32:57
You know who buys records?
High school girls.