1:21:03
Beautiful.
Don't you think it's good?
1:21:05
- I like it.
- May I start Act III?
1:21:08
- Go on.
- Act III, Scene i.
1:21:13
The door!
1:21:14
I'll close it.
1:21:16
Waiter, what have you got?
1:21:20
- Have you eaten, sir?
- May I go on, sir?
1:21:22
Very well, thank you.
1:21:24
- Of course, read on.
- Act III, Scene i.
1:21:33
What's the omelet Romagnola?
The one with all that grease?
1:21:37
- It's our specialty, with béchamel.
- All right, I'll have that.
1:21:39
Ask Mr. Natali to introduce us.
1:21:42
Why not?
1:21:46
They'll be represented
by two figures clad in white.
1:21:49
Black light will give the scene
a nightmarish quality.
1:21:54
The wind from time to time
will carry in the cry of the gulls.
1:21:56
As if shaken by a sudden shiver,
Frida turns.
1:21:59
She looks tired, aged. She approaches him.
"There will be no moon tonight."
1:22:02
I like you, baby.
1:22:04
And if you're not drinking with me,
damn you to hell!
1:22:09
- Can you do Gary Cooper?
- Alberto, do the saw.
1:22:12
I do a good saw.
But you've got to close your eyes.
1:22:15
Be quiet and listen!
1:22:19
My turn to do an impression.
1:22:21
My grandmother.
- Granny, I'll never leave you.
1:22:25
Can't you do impressions?
Why are you so serious?
1:22:29
I like this dark-haired boy.
He's got class.
1:22:32
That's true.
1:22:34
"No, not even crime horrifies me now.
Yet I can remember..."
1:22:43
Hey, there's a radio here.
I'm gonna turn it on.
1:22:46
That's a naughty thing to say.