:58:08
Why, that's great Oliver.
:58:11
Who plays opposite me?
:58:13
Well, it isn't exactly the lead, Norman.
Young Pemberton's doing that.
:58:16
But I'll tell you frankly, I consider your part
better than the lead.
:58:20
I see. Better than the lead.
:58:22
Of course, it isn't terribly long. It's one
of those parts that make an impression.
:58:27
They'll be thinking about you
all through the picture.
:58:32
The thing is, Oliver,
that I'm pretty well set at another studio.
:58:36
I'm not at liberty at the moment
to tell you which one.
:58:38
You know yourself how those things are,
but it's big, big.
:58:43
It's one of the biggest pictures of the year.
:58:46
As for the part, every actor in Hollywood
would give his eyeteeth to play it.
:58:50
That's fine, Norman, that's fine.
:58:55
Naturally, that'll tie you up for a while.
:58:58
However, we're not getting to this
for some time.
:59:01
Perhaps you'd consider it for later on.
:59:03
Don't count on me.
I have several pictures lined up.
:59:05
Then they're talking to me about England.
:59:07
You know they're doing
some interesting things...
:59:10
What is it, Cuddles?
:59:12
Speak right out. We all love you.
:59:14
Your dinner.
:59:16
Oh, yes.
:59:17
We dine here at 5:30.
Makes the nights longer.
:59:21
I'll be toddling along, Norman.
:59:25
Supposing I just leave this.
:59:27
Maybe you'll be able to come up with
some ideas even if you don't play the part.
:59:31
Oh, sure. Sure.
:59:38
Nice to see you doing so well, Norman.
:59:40
I shall be out of here in no time.
:59:43
I'll have to introduce myself all over again
to a lot of people.
:59:46
They won't know me
when I'm not drinking.
:59:49
Goodbye, Oliver.
:59:55
Thanks for dropping in.