Creature from the Black Lagoon
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:29:00
Schecter calls the theme "a memorable
musical signature", which it certainly is.

:29:05
It's instantly recognisable, even when it
crops up in non-Universal sci-fi movies,

:29:09
like Women of the Prehistoric Planet
and Dracula Versus Frankenstein,

:29:12
that lifted music from Creature.
:29:18
People often speculate that this scene
was an inspiration to Steven Spielberg

:29:22
when he shot
some of the scenes of Jaws.

:29:24
The plot of Creature is so indebted
to King Kong, I think back to Kong.

:29:27
This scene of a curious gill-man playfully
poking and touching her legs

:29:31
reminds me of the scene where King
Kong takes Fay Wray up the mountain

:29:34
and pokes her and tickles her.
:29:36
I also wanna talk about the people
who worked on the creature costume.

:29:40
Prominent among them was a creative
designer named Milicent Patrick.

:29:43
Talk about Beauty and the Beast.
She was born an Italian baroness,

:29:47
she was a former Goldwyn Girl, a model,
an interior decorator, an artist -

:29:51
she was the first
woman animator for Disney -

:29:53
and she helped design the creature
and did some painting on the costume.

:29:57
Chris Mueller was a sculptor, Tom Case
a painter on the various gill-man suits,

:30:01
and Jack Kevan, who was
Bud Westmore's right-hand man -

:30:04
Bud Westmore's right- and left-hand man -
Jack Kevan did a little of everything.

:30:09
Kevan worked as Westmore's assistant
but he was a hell of a lot more.

:30:12
He was a real hands-on guy who did
most of whatever work had to be done.

:30:16
He was born in Pittsburgh,
attended UCLA,

:30:18
and he went to work
doing make-up at MGM in 1932.

:30:21
He made up the main characters in
The Wizard of Oz, then, in World War II,

:30:25
he made prosthetic appliances for
wounded men throughout the Pacific.

:30:28
After the war he got a job at Universal.
:30:30
He worked on A&C Meet Frankenstein,
It Came from Outer Space,

:30:34
Man of a Thousand Faces,
Tarantula, scores of movies.

:30:37
And in 1958 he and Creature's
dialogue director, Irvin Berwick,

:30:41
struck out on their own and made a horror
film, The Monster of Piedras Blancas,

:30:44
a thinly-disguised attempt to duplicate
Creature's success

:30:47
with a lookalike monster.
Jack Kevan told me

:30:50
"They were lucky to find Ricou Browning,
who could swim underwater

:30:54
and not be restricted by the
equipment he had to wear."

:30:57
"We took a full body cast of him. On top of
his figure we built the monster to fit him,


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