Creature from the Black Lagoon
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in I Was a Teenage Werewolf
and I Was a Teenage Frankenstein.

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He was one of the most recognisable
of 1950s supporting players.

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He's also in sci-fi pictures like Lost
Continent, Target Earth with Denning,

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Invasion of the Body Snatchers,
Arnold's Monster on the Campus,

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The Time Machine, The Manchurian
Candidate, Soylent Green,

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and Psychic Killer with Julie Adams.
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Bissell was from New York City.
He worked on the stage from boyhood,

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and appeared in Broadway plays before
he went Hollywood in the mid-1940s.

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He worked in movies at first
under the name Whitner Bissell,

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in pictures like Holy Matrimony,
Destination Tokyo and Brute Force.

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His busiest decade
for film work was the '50s.

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He made more than 50 movies
in ten years -

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a lot of small parts,
but a few co-starring roles, too.

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He was in lots of sci-fi TV series, and
he was a regular on Land of the Giants.

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Whit Bissell died in 1996.
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It's hard to believe Bissell,
or anybody, could fall asleep

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guarding a seven-foot-tall killer
from the dawn of time.

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Maybe it's that soothing music, a Henry
Mancini composition "Monster Caught".

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It's funny to think of Henry Mancini
writing music for monster movies,

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and without credit at that,
but this was years before Peter Gunn

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and his several Academy Awards
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for Breakfast At Tiffany's and "Moon
River" and Days of Wine and Roses.

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He also won over 20 Grammies.
And in 1990, David Schecter tells me,

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Mancini put out a CD called
Mancini In Surround,

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including music he wrote for Creature,
an excellent piece "Monster Gets Mark".

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You'll hear it during the scene where
the creature kills Richard Denning.

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Mancini reorchestrated
and slightly recomposed the cues,

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and he conducted them
at a much more leisurely pace,

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but it was still clearly Creature music.
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Mancini also contributed to
It Came from Outer Space

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and Tarantula, and lots
of other golden oldies.


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