The Country Girl
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:20:02
Wait a minute. The two-weeks clause.
:20:06
They can give me notice any time,
but I can give them notice, too.

:20:12
- I can walk out any time I want.
- You mean you can quit, Frank.

:20:17
Not the way you mean it.
:20:20
If the show doesn't pan out, I don't
want to come to New York in a turkey.

:20:25
Maybe this time, it will work out.
Bernie likes me.

:20:29
Henry Johnson's pulling for me.
It's Cook I got to worry about.

:20:36
We've been having trouble, Joe.
:20:39
Instead of fields of wheat,
we got stubble rotting in the dust.

:20:44
I've talked it over with Stella.
We're leaving.

:20:48
What are we waiting for?
Let's push on.

:20:51
- How about you, Joe?
- I'm staying.

:20:54
They say when a man falls
from a great height,

:20:58
his whole life flashes by.
:21:00
In one split second,
he sees himself for what he is.

:21:04
You don't have to plummet like a
hailstone to face that split second.

:21:08
Mean it, Frank.
:21:11
...plummet like a hailstone
to face that split second.

:21:15
It can come to you as it did
to me today. As you stand...

:21:20
- What is it?
- "...in a smouldering field."

:21:23
As you stand in a smouldering field
and see your hopes go up in smoke.

:21:29
This is the most important
decision in the man's life.

:21:33
It sounds like he's deciding
what to have for breakfast!

:21:37
That goes for the rest of you, too.
:21:39
I'm sorry, but I'm still
fighting these words.

:21:43
We've been in rehearsal ten days.
Let's take it from...

:21:48
- Bernie.
- It can't be that late.

:21:52
Where does it go? Knock off.
Same time tomorrow.

:21:56
We'll start with this scene.
:21:58
- See you tomorrow.
- Good night.


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