1:20:03
- Did you see Cook?
- No.
1:20:05
He's talking to Watson.
1:20:07
I haven't got time now.
1:20:13
I've been with the understudy.
Do you want to listen?
1:20:16
Not now.
1:20:24
- How do you feel?
- OK. Larry got me some coffee.
1:20:29
I'll be out in a minute.
1:20:31
You don't have to get out.
All you have to do is get some sleep.
1:20:36
The understudy will want to get in.
1:20:38
I listened to him. He's no good.
You'll have to play the matinée.
1:20:43
Oh, no. Don't stick your neck out.
1:20:48
I'm in no mood to cut my throat
in public. The understudy stinks.
1:20:53
It's not just the matinée.
You've got to replace me.
1:20:57
When you took this job,
I promised you no pity.
1:21:00
I don't expect any.
I'm only warning you. Get rid of me.
1:21:05
Let me go back to New York.
1:21:08
So you can tell the boys you quit
because the part wasn't big enough?
1:21:14
Oh, no. If you leave this show,
it'll only be for one reason.
1:21:19
Because I fire you for being
an unreliable, slobbering drunk.
1:21:24
I know a lot of people who hire
actors. That's what I'll tell them.
1:21:29
It's not just this performance.
1:21:31
I can do a show for you. I've gone on
when I can hardly stand up.
1:21:36
It's not when I'm out there
that it's bad.
1:21:40
This is a matinée in Boston. If I do
this in New York, where are you?
1:21:44
- Where are you?
- You talk as if I do it on purpose.
1:21:48
I can't help it, Bernie.
1:21:53
In between shows and at night,
when I start thinking about it...
1:21:58
You mean the accident?
Georgie told me about it.