:50:05
Hurry up kids, check in the lobby
for your room numbers.
:50:21
All right, find your rooms.
:50:23
Get your rehearsal costumes on.
We start rehearsals right after breakfast.
:50:29
I still don't understand. You mean
you brought your whole show up here?
:50:33
- Most of it.
- It's still not clear to me. Why?
:50:36
We have to close down for the holidays,
lay the cast off and business is bad.
:50:41
I know about business being bad.
:50:43
We figured, since we had a chance
to rehearse, we might as well do it here.
:50:48
Why here?
:50:49
You've got this nice big empty ski lodge.
:50:52
- Phil and I decided it was ideal.
- That's right, Bob. Ideal.
:50:56
That's the word: Ideal. We looked at this
big ski lodge and said, "Isn't it ideal?"
:51:01
- Ideal.
- We've established that the lodge is ideal.
:51:04
It gives us a chance to test new material.
:51:07
- On what?
- The audience, like guinea pigs.
:51:10
Pigs we can get for you,
I'm not so sure about people.
:51:14
With all due modesty, Wallace and Davis
never had any trouble packing them in.
:51:19
People, not pigs.
:51:20
Go ahead. There's quite a bit about
show business I don't understand.
:51:25
- It'll come to you.
- Just takes time.
:51:28
We wouldn't be any good as generals!
:51:30
You werert any good as privates.
:51:34
Let's take it from the top again.
:51:38
That's right, that's it. Keep it lively.
:51:47
Keep it going. That's good.
:51:50
Keep it up.
:51:52
Move that lumber arm, fellas.
:51:55
Take it over the other side.