Young at Heart
prev.
play.
mark.
next.

:19:02
Girls...
:19:05
Mr Burke.
:19:08
- What are you looking for?
- Paper.

:19:10
The boy generally tries
to lose it in this bush.

:19:16
- There you are.
- Thanks.

:19:19
- How are they doing?
- Fine. In great voice.

:19:21
Mrs Ridgefield's got
a sleepless night ahead.

:19:24
Dogs... Bah! If they keep me awake,
it's your fault.

:19:28
They will. They're not only loud,
they're off pitch, like German opera.

:19:32
Your father was a great man
and a great musician.

:19:35
What would he say if he knew
you had midwifed a litter of pups

:19:39
and, worse yet, disparaged Wagner?
:19:41
My father taught me
to love dogs and Mozart.

:19:44
- Maybe not in that order.
- Bah!

:19:46
Mr Tuttle, I don't understand
your affection for that word.

:19:50
Bah!
:19:52
- Let me have your hat.
- Thanks.

:19:58
Oh, I don't...
:20:04
Something's wrong here.
:20:07
- Pa!
- How wonderful to see you.

:20:09
Did you have a nice day?
:20:11
- Hello, Pop.
- Hello, darling.

:20:14
Nice day at the conservatory?
:20:16
Hiya, Burke.
:20:18
Hiya, Tuttle.
:20:21
Well, did I exaggerate?
:20:23
No, they're pretty. All very pretty.
:20:26
- Oh, thank you.
- Pop, won't you introduce us?

:20:28
I'm sorry! Girls, this is Alex Burke.
:20:31
He's full of opinions, one of which is that he
can write good music on a time schedule.

:20:36
He's opinionated, he's conceited,
he's arrogant and disrespectful.

:20:40
- But I like him.
- Thanks.

:20:42
How about that big build-up
you were gonna give me?

:20:45
- I changed my mind.
- Oh?

:20:47
Aren't you gonna mention my talents?
We talked about it.

:20:51
They only have to look at you
to see that you have no talent.

:20:55
I'm Fran and you look talented,
whatever you do.

:20:58
- Thank you. I compose.
- I'm Amy, what do you compose?


prev.
next.