:57:02
- Note the rich use of browns and yellows.
- Jervis.
:57:05
A truly fine example
of Corot at his best.
:57:10
For him, the countryside was
a constant source of inspiration.
:57:14
The homely, rustic scene is brought
to life here with great sensitivity.
:57:19
Hello, Julie.
:57:21
Hello.
:57:23
- What are you doing here?
- Shh! Quiet, please. Quiet.
:57:27
- Do you know my guardian?
- Oh, yes. Yes. Very well.
:57:32
- Oh. You never told me before.
- He asked me not to.
:57:35
But I knew you were coming here today,
and I had to see him first because...
:57:39
there was something
very important I wanted to ask him.
:57:42
Now, ladies and gentlemen,
as is customary, we conclude the tour-
:57:45
- I'm so happy to see you again.
- with the Pendleton family portraits.
:57:50
Here we have the portrait
of the firstJervis Pendleton...
:57:53
painted by
James Abbott McNeill Whistler.
:58:01
Jervis Pendleton II sat, or-
:58:03
stood, as you can see,
forJohn Singer Sargent...
:58:06
whose portraits are hung in every
important museum in the world.
:58:19
This is
Jervis Pendleton III...
:58:21
who, as you can see, has broken with
the family tradition somewhat.
:58:27
Well, good afternoon, ladies and gentlemen.
That concludes our tour.
:58:30
Thank you very much.
:58:35
Oh, miss. The tour is o-
:58:37
Oh. I beg your pardon, sir.
Yes. Of course, sir. Good day, sir.
:58:45
Tell me.
When you saw John Smith...
:58:49
what did you ask him?
:58:51
Since he's your guardian,
I felt I should ask his permission...
:58:53
before asking you
to marry me.
:58:56
Oh. What did he say?
:58:58
He said I'd have to
wait my turn-