:46:00
Was it aIways Iike this?
:46:03
It used to be a town haII,
and before that it was a bakery.
:46:07
Amazing! And before that?
:46:10
Before that, this picturesque
pIace was a convento.
:46:20
What's a ''convento?''
:46:21
You know,
a pIace where nuns Iive.
:46:24
I understand...but...
how many nuns Iived here?
:46:27
How many...?
WeII, exactIy thirty-two.
:46:30
I understand...
were there any maIe nuns?
:46:34
MaIe nuns? WeII, there were
fewer of them...ten or tweIve.
:46:39
More women and Iess men...
aIways, everywhere.
:46:42
There's my cousin, I'm going
to say heIIo to him. Excuse me.
:46:49
Make beIieve you know me.
I had to get away from those peopIe.
:46:57
Don't you remember me?
:46:58
I wouId certainIy Iike to.
:47:01
That's why
you were staring at me?
:47:03
Yes, and because you
Iook so pretty.
:47:07
Now we're getting somewhere.
Try to remember.
:47:10
Don't teII me
you've forgotten so soon.
:47:13
I'm not that naive.
:47:15
No, reaIIy...
:47:17
And women shouId trust men...
:47:20
Our meeting Ieft
a Iasting impression on me.
:47:28
What's that meIody?
Where did you hear it?
:47:31
In a music box your mother had
when you were a chiId.
:47:36
Of course !
What a memory I have !
:47:40
Let's be friends!
:47:41
Intimate friends, nothing Iess.
:47:43
But I must get back
to my Yankee friends.
:47:46
They know their way around.
:47:48
And tomorrow, who do I eat?
:47:51
I'm paid to do this.
:47:53
- You're an interpreter?
- And a guide.
:47:55
And aIso a modeI...
made to serve God and you.
:47:59
One of those so-caIIed artists
has aIready used me.