:26:01
I still think you're mistaken
about Frankie Desirio and his orchestra.
:26:04
- They're gonna cost you a fortune.
- Book them. Don't give me no headaches.
:26:08
- You the waiters?
- Yes, sir.
:26:10
Okay, don't get excited. Wait.
:26:15
All right, come on, girls.
:26:17
Come on.
:26:19
Oh, come on, get them up.
:26:21
All right. You, you and you.
The rest of you can blow.
:26:25
Now, you three. Remember something.
This is legit. You're only selling cigarettes.
:26:30
Back tomorrow morning at 1 o
for a fitting.
:26:34
- Barney, you get over to the studio?
- Sure.
:26:37
- See Ruth?
- Yeah.
:26:39
She's coming over for dinner.
:26:41
You know, we been so busy lately,
we hardly seen each other.
:26:45
- How was she? In a good mood?
- Sure. This picture's a real shot in the arm.
:26:49
- Never saw such a change in a girl.
- She listen to me, she don't go wrong.
:26:53
Hi, Marty.
:26:55
- Where's Ruth?
- She had to work again.
:26:58
She didn't have no call tonight.
What are they pulling?
:27:01
This happens all the time.
:27:03
They find out that a recording stage
is free or something. It's just routine.
:27:10
Yeah, sure. Sure, Barney.
:27:12
I know you're anxious to get home.
I won't need you.
:27:15
- Okay, good night.
- Good night, Barney.
:27:22
How do they act together?
Ruthie and the piano player?
:27:25
I watch, just like you told me.
There's nothing to watch.
:27:29
She's more friendly with others than him.
The wardrobe girl, the makeup man.
:27:33
An old geezer. A grip, they call him.
Him, she's always talking to.
:27:37
But Johnny, nothing.
:27:46
2404, take three.