The Trouble with Harry
prev.
play.
mark.
next.

:27:01
because I don't expect
I'll ever have to face it.

:27:03
And it's none of those noble things
you were talking about, no.

:27:06
- Nothing like that.
- Then what is it?

:27:08
(Sighs)
It's me. It's me that's worrying me ,

:27:11
me and my future life.
:27:13
I know the police
and their suspicious ways.

:27:15
You're guilty until
you're proved innocent.

:27:17
I want nothing more to do with him.
Bury him, and be done with him.

:27:21
He's no good to anyone now.
:27:23
Lay him to rest.
Put him under the sod. Forget him.

:27:28
I never did it and you never saw him.
:27:30
Yes, what about all those
other people who saw him?

:27:32
How about the woman and the boy,
Miss Gravely and the tramp and...

:27:36
the man who was reading the book,
Dr Greenbow?

:27:38
- How about all of them?
- Nobody was interested, I tell you.

:27:42
Nobody ever cared
until you came along.

:27:45
Ah, that's what you think.
:27:47
Suppose someone starts to care
after you've buried him?

:27:49
I can't wait for people to start
caring whenever they feel like it.

:27:52
I don't want a little accident
to turn into a career.

:27:55
Suppose that woman
who called him Harry...

:27:57
Suppose she decides
she loves him after all.

:28:00
- She was hysterical with delight.
- Hm? What was she like?

:28:04
Pretty as a rainbow.
Wish I was two years younger.

:28:07
- And with a little boy?
- Yeah, about four or five years old.

:28:10
Hmm. It's got to be Mrs Rogers
and her son.

:28:13
Why don't we slip him underground
now that you've finished drawing him?

:28:18
We could discuss
the smaller details later.

:28:21
I don't like it. The authorities
like to know when people die.

:28:25
All right, Sammy.
:28:28
Forget it. You cut off home.
:28:31
I killed him
and I'll look after his remains.

:28:33
What'll you do, drag him around the
countryside the rest of the day?

:28:37
I'll do my best.
That's all a man can do.

:28:40
If you're not careful, you will get
a murder charge lined up.

:28:43
Matter of fact, I'm beginning
to suspect something myself.

:28:45
There you are then. See?
:28:47
If you, an artist, suspect the worst,
what will they, the police, think?

:28:51
What about that envelope
with his name and address on it?

:28:54
By rights, you should
mail him back home.

:28:56
Have you forgotten who carries the
mail down to the station every night?


prev.
next.